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"Grado de potencia #2" is more diffuse, as its field recordings intermittently feature human voices, animal sounds and birdsong, punctuated with occasional silences, Both make good listening and their contrasts make them a well-chosen pair. On "Sigh (carried away)," Bondi's cymbal work gives the piece a steady tempo which combines with d'incise's interjections to give a quasi-industrial feel. The different instrumentations on the two compositions give them dissimilar soundscapes, making them feel quite different. Either way, the two tracks contrast with one another on his composition, d'incise contributes electroacoustic treatments to Alvear's electric guitar and Bondi's four cymbals, which makes sense as he wrote it on Astaburuaga's piece, Bondi and Alvear both contribute field recordings in addition to their percussion and electric guitar. On Bandcamp, the tracks are listed separately with durations of forty-two-and-a-half minutes and twenty minutes, respectively, but on the CD they play sequentially as one sixty-three-minute track. The Best Unknown Music Photographer : The Picture Show Martin Cohen was an amateur photographer when he started an instrument company in the 1960s. The tracks were recorded between May and July 2021 at Insub.studio in Geneva and at Alvear's home studio in Santiago.
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The series' recordings will feature interpretations of six new compositions commissioned by the duo from three Chilean and three Swiss artists, This album features the two compositions which give it its title, "Sigh (carried away)" composed by d’incise, and "Grado de potencia #2" by Chile's Santiago Astaburuaga. The WSU Percussion Studio consists of about 16-20 majors and non-majors studying at the undergraduate and graduate level. McGill Percussion Ensemble is an award-winning ensemble which performs. Learn more: The A to Z of Photography: Aperture 3. Photo by: Arnaud Lavergne The McGill Percussion Area is part of the Schulich.
#HOW TO PORTRIAT SHOTS IN A PERCUSSION STUDIO SERIES#
Sigh (carried away) / Grado de potencia #2 is the first in a series of three albums which are part of a project by the duo comprising Chilean guitarist Cristian Alvear and Swiss percussionist & Insub co-ordinator Cyril Bondi. Specialist portrait lenses tend to have even wider maximum apertures (from f/1.4 to f/2.8) in order to blur backgrounds further.